Creative writing about god

How does religion in creative writing work?

Thesis on price elasticity of demand stings, but as a writer, you better prepare yourself for it. I recently submitted a couple of essays for possible paid publication. Of course, with all the hours poured into the writing I figure I would […].

I sometimes read books on writing, trying to hone my craft and learn from other writers. The advice I get from these books creative writing about god great, […].

Moreover, as Christians we want to impact people for eternity. For example, we read on Facebook that so-and-so just […]. I make so many excuses when it comes to writing. I will write later. I always make this promise to myself. I always feel there will be a better moment somewhere in the near future, where the quality of writing produced […]. Writing while dry is not productive. I do believe that inspiration will not just come to you.

Sometimes you have to seek it out, and that often comes from creative writing internships toronto doing the work. However, I have noticed that […]. Right off, we know what kind of person we are dealing […]. Writing an episode from your Christian testimony is an exercise that will teach you a lot about creative writing about god.

If you are a non-fiction writer, writing that creative writing about god will help you work on conveying information […].

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Creative writing about god



Because certain symbols are universally resonant across time and space, they find their way into both religious practice and creative expressions like poetry, fiction, creative nonfiction, television scripts, stage plays, and sermons. This is the general format for the series, which covers different ways of talking about and thinking about religion. Learn more here. The diverse expressions of religion in creative writing make for a wonderfully rich resource.

This is what we might call content-level involvement of religion in a text. The latter occurs when a poet or writer speaks in a sacred register like a prophet, or use other techniques we normally associate with either sacred writing or sacred speech, yet the content itself is not religious. Of course, both levels can be combined, as one would expect in a sermon, but they can operate separately. They often do. Is religion in this poem, in any sense? Consider the images employed in this tight space.

The laurel was traditionally used in Greco-Roman cultures for rites of purification. Famously, it served as the crown of the military victor and the poet, too. The reason for this becomes more obvious as the poem continues. Moore then invokes the fig tree, the tree that covered the nakedness of Adam and Eve in Genesis 3. A bower is a secluded, perhaps wooded, place that evokes the Garden of Eden, and the pointed passion flower is a lush image of fertility and desire. So yes, you could say this poem draws upon religion to say something, specifically something about Creation.

But the poem might also be about the God or Goddess of creation, rather than creation itself. It certainly falls within the realm of possible interpretations. This is all without any reference to the life and experiences of the poet herself, based simply on what the words themselves evoke out of shared symbols in Western culture.

In delving into the life of Marianne Moore — , a still richer layer of meaning comes into play. Like her twentieth-century contemporaries Ezra Pound and William Carlos Williams, Moore developed an abiding interest in Eastern arts and culture. Have a quick look at the painting and come back. It is immediately obvious that Moore did not simply narrate the Chinese image what she saw but combined it with her existing Western narratives of creation.

This begins to show the wonderful flexibility of creative writing to open up a conversation about religion. Imagine reading this at the start of a class on the history of the Bible. It certainly opens up the question of why the original writers of Genesis and the Enuma Elish wrote the stories the way they did, how the stories might have changed over time, and why people today are still retelling them—this is neither simplistic nor literal. Not every poet or writer who chooses to use a religiously charged image, such as a fig tree, must by definition be writing a religious piece, but the writer does have to reckon with the image once invoked.

I think this is a commonly misunderstood aspect to writing. It adheres to a set of rules—grammar, syntax, the history and customs of language, a world of echoes and allusions and social cues—that pay no heed to your intentions,.

What this suggests is that creative writing at its best encourages empathy and open-mindedness through two things: 1 the free association of images and 2 the frustration of making sentences say what you want them to say while reckoning with their history and their traditional uses.

Most writers are not fully conscious of their religious and spiritual leanings and longings. One of the limits of creative writing as a way to understand religion, then, is the problem of finding historically sensitive writing or at least writing that depicts the longings of people of a particular faith in a way that opens up understanding. Like testimony , creative writing is subjective and exploratory, but it does not necessarily involve a call to action.

We just have to walk that line. I came to explore the wreck. The words are purposes. The words are maps. I came to see the damage that was done and the treasures that prevail. I stroke the beam of my lamp slowly along the flank of something more permanent than fish or weed. This article is part of the Understanding Religion series, which explores the many different methods and approaches we can use to understand and appreciate religion. Creative would be the understatement of the year.

The best phrase I could use to describe his writing is compelling mysticism. Dekker was born to missionaries and grew up among cannibals of Indonesia, and his unique upbringing gives him a peculiar perspective outside the norm, and allows him the freedom to share provocative insights outside the box.

Your email address will not be published. Save my name, email, and website in this browser for the next time I comment. Westar Institute fosters collaborative, cumulative research in religious studies and communicates the results of the scholarship to a broad, non-specialist public. How does religion in creative writing work? Here, he introduced a sea uniform like tapestry; here, a fig-tree; there, a face; there, a dragon circling space— designating here, a bower; there, a pointed passion-flower.

Why is creative writing important for understanding religion? And every sentence has its own motives, its own commitments, Quite apart from yours. The limits of creative writing Most writers are not fully conscious of their religious and spiritual leanings and longings.

I stroke the beam of my lamp slowly along the flank of something more permanent than fish or weed the thing I came for: the wreck and not the story of the wreck the thing itself and not the myth the drowned face always staring toward the sun the evidence of damage worn by salt and sway into this threadbare beauty the ribs of the disaster curving their assertion among the tentative haunters.

Read more. Leave a Reply Want to join the discussion? Feel free to contribute! Leave a Reply Cancel reply Your email address will not be published. Westar Institute Westar Institute fosters collaborative, cumulative research in religious studies and communicates the results of the scholarship to a broad, non-specialist public.

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Creative Writing: My Own Idea of God

I make so many excuses when it comes to writing. I will write later. I always make this promise to myself. I always feel there will be a better moment somewhere in the near future, where the quality of writing produced […]. Writing while dry is not productive. I do believe that inspiration will not just come to you.

For example, Zeus is the father figure, the leader, and he can father children with mortals. Maybe your God of Fire carries a lightning bolt.

Use your imagination. You can make lists of gods based on things you need in your world like a god of war or a creator god. Or you can start with Earth gods and re-imagine them. Every world has religion and myths to explain its creation and how it will eventually end.

The only difference is, when it's your story's world, you get to choose! Kathy Edens is a blogger, a ghost writer, and content master who loves writing about anything and everything. World-Building: How to Create Gods. TAGS: writing fiction. What are you waiting for? It's the best tool for making sure your copy is strong, clear, and error-free!

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Sign up. I closed the door behind me. Fitting it should rain on such a day, long strides as to avoid running. I latched the gate one last time and approached my car. And though the thought had occurred to me before that day, that this car would become my home, I was not prepared to be homeless. If I cared to add another to the list, that car would become the 30th home in 37 years. It goes without saying I never really had a home and I did not feel as if I were leaving my home.

Of course I had comfort, convenience and safety. As an artist I could not imagine life without a wall to tack my canvas, a floor to sit and meditate, or a stove to satisfy my passion for the culinary arts. But as a human being I knew the 'things' in my life were no more a privilege than a burden or a vice.

As I sat in my new home I stepped back through all my comforts, all my love, my family, my career, my passions and I did not stop at my childhood. I thought of the innocence and the happiness. I became consumed with my ignorant and innocent hope. An hour or so had passed and I still hadn't moved on, but to where would I need to move? It would eventually be that contemplation, still dry from the quiet rain, that would push me from that place with no place to go.

To say I became homeless in that moment is only relevant to the statement 'one without a home', and still it is relative only to the conventional idea of homelessness.

World-Building: How to Create Gods

Jan 02,  · Take note of the range of genres that Lewis’ writing akes, as observed above by Kreeft — “literary history, literary criticism, theology, philosophy, autobiography, biblical studies. As you pray, ask God to speak and reveal more of His creativity to you. 3. USE A PEN AND PAPER. Writing is something that we do less and less in our daily lives. However, taking the time to slow down and write is a great way to get creative in your prayer life. Experiment with writing a . May 29,  · To suffocate the creative gifts that God has given us. John Piper writes, If you are God, your work is to create out of nothing. If you are not God, but like God — that is, if you are human — your work is to take what God has made and shape it and use it to make him look great.


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