Creative writing kent paris

Creative Writing

Creative writing is one of the most popular areas of study at Kent State's Department of English. This course provides practice in various forms of creative writing with some emphasis on student interests and on sources of creativity.

Theme and focus vary by section, so students should consult individual section descriptions, which are available outside the Department of English office, Satterfield Hall.

This course may be used in partial fulfillment of the Writing Minor and is the prerequisite for upper division Poetry Writing and Fiction Writing courses. Prerequisites: Completion of or concurrent enrollment in Eng or equivalent. This course provides practice in advanced creative writing kent paris of fiction, with specific models and discussion of student work on a weekly basis. This course may be used in partial fulfillment of the Creative writing kent paris and Language Studies requirement in the English Major and in creative writing kent paris fulfillment of the Writing Minor.

Other requirements vary by section: Check the Schedule of Classes for other prerequisites. This course provides continued practice in advanced writing of fiction, with specific models and critical discussion of student work on a weekly basis. Other requirements vary by section: check the Schedule of Classes for other technical writer critical thinking. This course provides practice in advanced writing of poetry, with specific models and critical discussion of student work on a weekly basis.

This course provides practice in advanced writing of poetry, with specific models and discussion of student work on a weekly basis. Skip to main content. Live Chat. Creative Writing. Students begin with Introduction to Creative Writing and proceed through the Fiction and Poetry Writing Courses: Introduction to Creative Writing Eng This course provides practice in various forms of creative writing with some emphasis on student interests and on creative writing kent paris of creativity.

Fiction Writing I Eng This course provides practice in advanced writing of fiction, with specific models and discussion of student creative writing kent paris on a weekly basis. Fiction Writing II Eng This course provides continued practice in advanced writing of fiction, with specific models and critical discussion of student work on a weekly basis.

Creative writing workshop nottingham Writing I Eng This course creative writing kent paris practice in advanced writing of poetry, with specific models and critical discussion of student work on a weekly warren wilson creative writing mfa. Poetry Writing II Eng This course provides practice in advanced writing of poetry, with specific models and discussion of student work on a weekly basis.

Department of English. Mailing Address P. Box Kent, OH Street Address E. Summit St. Kent, OH Street Address Janik Dr. Contact Us info creative writing kent paris. English Club English Club. English Graduate English Graduate.



Creative writing kent paris



At Kent we are committed to high quality literary fiction , and the most exciting and experimental contemporary poetry. We are excited by writing that changes the reader and, ultimately — even if it is a very small way — the world. We love writing that is full of ideas, but that is also playful, funny and affecting. You will find at Kent a place where — with a focus on leading contemporary authors and poets — you will immerse yourself in literature that challenges and inspires.

At Kent we realise that the most ambitious work is often produced by the most modest people, and that sometimes it is produced slowly Indeed, it might take years for the lessons you learn at Kent to sink in and for your first major work to be completed. We will encourage you to make a good start on something. We will teach you everything we know about writing and give you the chance to practise, through writing exercises, workshops and assignments, your own writing, and give you the time to develop your own style.

Many of us have been inspired by great Russian novelists like Tolstoy, Chekhov, Dostoevsky and Bulgakov. We love the Black Mountain poets, and the Beats. We remain thrilled by Modernism. Our extensive reading lists and well-stocked library will get you started on what should become a lifelong commitment to discovering exciting new contemporary work as well as great classics. You will be encouraged to discover and explore your own literary influences and consider what makes the great writers great.

Creative Writing - MA

Revisions will be required along with student-professor individual conferences. Readings will be used as guiding examples, and required reaction papers will be tailored to individual projects. Under the supervision of the major advisor, students prepare a portfolio of at least 5 essays from their major courses, along with relevant work in other courses, and identify, evaluate and justify the personal focus of their work in an introductory essay.

Examined orally by a panel of faculty. Search form Search. Facebook Twitter Instagram Youtube Linkedin all. Related Links Requirements Department Minor.

The american university of Paris Apply. Creative Writing Undergraduate Program. Major Overview. Featured Course Advanced Creative Writing Projects Have you yearned to start a novel, a collection of related short stories or narrative essays, a memoir, or a series of poems? Learning Environment.

Major Components. Core Courses Core Courses We aim to help you develop a range of skills, capacities, and modes of inquiry that will be crucial for your future since employers and graduate schools are looking for the critical thinking and innovative problem-solving skills that are associated with a liberal arts education, including sophisticated writing abilities, willingness to pose difficult questions, and an understanding of the historical and cultural contexts surrounding a topic or decision.

Scroll to Core Courses. Core Courses. A first or upper-second class honours degree in a relevant subject or equivalent , or substantial creative writing experience.

You are required to submit a sample of your creative writing, and this will be the most significant factor in admissions decisions. Applicants may be called to interview. Please tell us whether you intend to work in fiction, poetry, or narrative non-fiction and what experience you have working in this form. The University requires all non-native speakers of English to reach a minimum standard of proficiency in written and spoken English before beginning a postgraduate degree.

Certain subjects require a higher level. Please note that if you are required to meet an English language condition, we offer a number of pre-sessional courses in English for Academic Purposes through Kent International Pathways. We will be in touch with you soon. View our Privacy Notice. You are encouraged to put together an MA programme that suits you and your plans. You may choose to take only creative modules, or to augment your study with a module from the literature programmes or from other Humanities programmes.

The following modules are indicative of those offered on this programme. This list is based on the current curriculum and may change year to year:. On this module students will develop their skills as an independent writer, critic and thinker, understanding and building their own unique writing practice through readings of exemplary texts, open seminar discussion, writing exercises and creative workshops.

Find out more about EN This module will prepare you for the production of your dissertation portfolio of fully realised, finished poems. You will read a wide range of exemplary, contemporary work and experiment with form and content.

In this module you will learn further techniques of writing fiction, including how to plot a full-length novel, work on deep characterisation and the construction of an intellectual framework within your fiction. You may be continuing to work on a project begun in Fiction 1, or starting something new.

Rather than expecting you to try new techniques, voices and styles, your tutor will work with you to identify your strongest mode of writing and will encourage you to develop this. The main focus of Poetry 2 is to further develop and refine your writing with the eventual aim of producing a successful dissertation portfolio of fully realised, finished poems. Poetry 2 differs from Poetry 1 in that you are encouraged to develop a sequence or series of wholly new poems.

In this module you will develop your practice of writing poetry through both the study of a range of contemporary examples and constructive feedback on your own work. Each week, you will be exposed to a wide range of exemplary, contemporary sequences.

The approach to the exemplary texts will be technical rather than historical; at every point priority is given to your own particular development as poets.

The reading list does not represent a curriculum as such, but indicates the range of works and traditions we will draw upon to stimulate new thought about your own work.

Decisions about reading will be taken in response to individual interests. Likewise, you will be directed toward work which will be of particular benefit to you. Students will investigate the intersections between fiction and non-fiction and poetry , deploying a range of literary techniques. The module will be structured thematically, working with different forms and sub-genres in turn, allowing the students to experiment with various approaches.

During the first half six sessions , specific works will be discussed and appropriate writing exercises applied , three sessions will be filled with workshops, and one session will be spent brainstorming ideas and planning.

This module helps you to situate and heighten awareness of your own work in relation to your own practice and to practitioners from other languages. You are not expected to know any other language! Instead, you will use cribs, literal translations, commentaries and transliterations, among other tools, to inspire and guide you in creating your own versions, as is common practice amongst translators. Seminars will focus on your work in creating new poems in English, using contemporary or classic poetry in a language of your choice.

The work will be contextualised through the study of translation theories and practices. Since the module allows each student to pursue his or her own creative writing interests under guidance, the curriculum will vary according to students' interests and be flexible enough to accommodate their development.

You take a total of four modules, for which you will produce approximately words each or an equivalent number of poems or translations. In addition, you write a creative dissertation of about words or an equivalent number of poems or translations.

For details of when and how to pay fees and charges, please see our Student Finance Guide. Kent is supporting its EU students as the UK leaves the EU with a special EU fee offered for students joining in for the duration of their programmes. It will also not apply to Irish nationals living in the UK and Ireland whose right to study and to access benefits and services will be preserved on a reciprocal basis for UK and Irish nationals under the Common Travel Area arrangement.

The University will assess your fee status as part of the application process. Search our scholarships finder for possible funding opportunities. You may find it helpful to look at both:. This is a measure of the proportion of staff involved in high-quality research in the university. Research in the School of English comes roughly under the following areas. However, there is often a degree of overlap between groups, and individual staff have interests that range more widely. Medicine is one of the great human activities.

It has a rich and deep history, and it has both created challenges for humans and solved many of our problems. For example, through an appreciation of some of medicine's history one can see the tensions that may exist between the scientific spirit and the demands of a society. Similarly, the study of illness narratives and works of literature that explore illness reveals the tension between the lived experience of illness and clinical understandings of disease.

Moreover, medical science creates interesting ethical and legal problems, both for society at large and for medical practitioners. In this team-taught module we will study various topics about medicine through the eyes of a number of academic disciplines.

You will also come to appreciate the different styles of thought and investigation peculiar to individual disciplines. Topics that stem from the individual academic disciplines will be studied on their own terms in the sessions, although common threads will emerge. An overarching theme and idea in this module, and the programme, is that a multidisciplinary approach through the Humanities is a highly illuminating way to appreciate medicine.

Students will investigate the intersections between fiction and non-fiction and poetry , deploying a range of literary techniques. The module will be structured thematically, working with different forms and sub-genres in turn, allowing the students to experiment with various approaches. During the first half six sessions , specific works will be discussed and appropriate writing exercises applied , three sessions will be filled with workshops, and one session will be spent brainstorming ideas and planning.

Students will interrogate how these concerns are underpinned by human interaction with the environment, and will examine how cultural texts not only facilitate affective engagement with these issues, but allow us to envision solutions and work towards preferred futures.

The module will emphasise the political implications of postcolonial ecocriticism by addressing questions of social and environmental justice, animal and human rights, colonialism and postcoloniality, and culture and the individual amongst other concerns as a way of showing that analysis of postcolonial writing and the environment always requires attentive and critical engagement with shifting geopolitical world orders. Since the module allows each student to pursue his or her own creative writing interests under guidance, the curriculum will vary according to students' interests and be flexible enough to accommodate their development.

You take a total of four modules, for which you will produce approximately 7, words each or an equivalent number of poems or translations. For details of when and how to pay fees and charges, please see our Student Finance Guide. Kent is supporting its EU students as the UK leaves the EU with a special EU fee offered for students joining in for the duration of their programmes.

It will also not apply to Irish nationals living in the UK and Ireland whose right to study and to access benefits and services will be preserved on a reciprocal basis for UK and Irish nationals under the Common Travel Area arrangement.

The University will assess your fee status as part of the application process. Search our scholarships finder for possible funding opportunities. You may find it helpful to look at both:. This is a measure of the proportion of staff involved in high-quality research in the university. Research in the School of English comes roughly under the following areas. However, there is often a degree of overlap between groups, and individual staff have interests that range more widely.

The particular interests of the Centre for Studies in the Long Eighteenth Century converge around gender, class, nation, travel and empire, and the relationship between print and material culture. Staff in the Centre pursue cutting-edge approaches to the field and share a commitment to interdisciplinary methodologies. The Centre regularly hosts visiting speakers as part of the School of English research seminar programme, and hosts day symposia, workshops and international conferences.

The recently established Centre for Victorian Literature and Culture provides a stimulating and distinctive research environment for staff and students through seminars, conferences and collaborative research projects. Research in north American literature is conducted partly through the Faculty-based Centre for American Studies, which also facilitates co-operation with modern US historians. Staff research interests include 20th-century American literature, especially poetry, Native American writing, modernism, and cultural history.

The Centre for Creative Writing is the focus for most practice-based research in the School. Staff organise a thriving series of events and run a research seminar for postgraduate students and staff to share ideas about fiction-writing.

Established writers regularly come to read and discuss their work. The Faculty-based Canterbury Centre for Medieval and Early Modern Studies has a distinctive brand of interdisciplinarity, strong links with local archives and archaeological trusts, and provides a vibrant forum for investigating the relationships between literary and non-literary modes of writing in its weekly research seminar. The Centre for Modern Poetry is a leading centre for research and publication in its field, and participates in both critical and creative research.

Staff regularly host visiting speakers and writers, participate in national and international research networks, and organise graduate research seminars and public poetry readings.

Established in , the Centre for Colonial and Postcolonial Research has acquired an international reputation for excellence in research. It has an outstanding track record in publication, organises frequent international conferences, and regularly hosts leading postcolonial writers and critics. It also hosts a visiting writer from India every year in association with the Charles Wallace Trust. Full details of staff research interests can be found on the School's website. Many career paths can benefit from the writing and analytical skills that you develop as a postgraduate student in the School of English.

Our students have gone on to work in academia, journalism, broadcasting and media, publishing, writing and teaching; as well as more general areas such as banking, marketing analysis and project management. The Templeman Library is well stocked with excellent research resources, as are Canterbury Cathedral Archives and Library.

The British Library in London is also within easy reach. Besides the Templeman Library, School resources include photocopying, fax and telephone access, support for attending and organising conferences, and a dedicated postgraduate study space equipped with computer terminals and a printer. Our research centres organise many international conferences, symposia and workshops.

The School also plays a pivotal role in the Kent Institute for Advanced Studies in the Humanities, of which all graduates are associate members. The Institute hosts interdisciplinary conferences, colloquia, and other events, and establishes international links for all Kent graduates through its network with other advanced institutes worldwide. School of English postgraduate students are encouraged to organise and participate in a conference which takes place in the summer term.

This provides students with the invaluable experience of presenting their work to their peers. The School runs several series of seminars, lectures and readings throughout the academic year.

Our weekly research seminars are organised collaboratively by staff and graduates in the School. Speakers range from our own postgraduate students, to members of staff, to distinguished lecturers who are at the forefront of contemporary research nationally and internationally.

Benefits from this affiliation include free membership for incoming students; embedded seminar opportunities at the ICA and a small number of internships for our students. The School of English also runs an interdisciplinary MA programme in the Contemporary which offers students an internship at the Institute of Contemporary Arts. Staff publish regularly and widely in journals, conference proceedings and books.

The programme is designed to broaden your understanding of global issues and current affairs as well as to develop personal skills which will enhance your employability. Learn more about the applications process or begin your application by clicking on a link below. Jump to accessibility statement Jump to content.

Choose a section. Virtual Open Event Book your place. About the School of English The School of English has a strong international reputation and global perspective, apparent both in the background of its staff and in the diversity of our teaching and research interests. Entry requirements A first or upper-second class honours degree in a relevant subject or equivalent , or substantial creative writing experience. English language entry requirements The University requires all non-native speakers of English to reach a minimum standard of proficiency in written and spoken English before beginning a postgraduate degree.

Creative writing

TEF Gold Award Social media links. Connect with us on Facebook; Follow us on Twitter; Follow us on Instagram; Connect with us on LinkedIn; Subscribe to us on Youtube. The Creative Writing MA can also be studied at our Paris centre or with your year shared between Canterbury and Paris. About the School of English The School of English has a strong international reputation and global perspective, apparent both in the background of its staff and in the diversity of our teaching and research interests. Creative Writing At Kent we are committed to high quality literary fiction, and the most exciting and experimental contemporary poetry. We love great literature and don’t see any reason why our students should not aspire to produce it.


Related Post of: