Creative writing salford university

Drama and Creative Writing

This degree gives you the opportunity to produce your own creative writing while studying challenging works of literature. Guided by published experts, you will discover your talents in poetry, prose fiction, screenplay, playwriting and more. Creative Writing is combined with the study of English Literature, where an understanding of literary history and contemporary cultural issues will feed your creative practice. Your teachers will be practising poets, novelists, screenwriters and artists.

You will have opportunities to see your work performed, to enjoy the community of open mic nights, and to publish your work in our online journal and class blogs. Develop skills through masterclasses with writers, literary agents, publishers, commissioners and directors.

In the first year of study, you will develop your own creative processes while gaining an understanding of key principles in creative writing salford university fiction, poetry, drama, cultural theory and philosophy. In the second and third year of study, you will have the opportunity to specialize in a medium of your choice by combining modules in screenplay, writing for stage and performance, poetry or prose fiction.

You will also have the opportunity to choose English Literature modules that deepen your knowledge of particular periods in literary history and which raise challenging concepts around politics, gender and identity. In the third year of study you have the freedom to complete a year-long creative project, which might be the beginning of a novel, a poetry portfolio, a collection of journalism or any writing project you can imagine.

You will learn to write and respond to poetry. You will learn how creative writing salford university write stage scripts for presentation to producers, learning the fundamentals of good dramatic writing.

You will learn to learn to write and respond to memoir and short fiction. You will learn the basics of creating story, convincing characters, setting and effective dialogue. You will be introduced to different orms and genres of drama, analyzing plays from Shakespeare to 21st century theatre. You will be introduced to university level research skills which will help you throughout your degree.

From early texts such as Moll Flanders by Daniel Defoe to postmodern writers such as Jeanette Winterson, this module examines the history of narrative by tracing the development of narrative strategies and cultural themes such as gender and class.

You will be introduced to a range of theoretical approaches to literary and cultural practice. You will gain an understanding of how both literary and cultural texts can be read and analysed, and how different theories can be applied to them.

Study literature emerging in a time of revolution and consider themes such as the rights of man, of woman, and of slaves, the sublime, childhood, empire, the self, and the gothic. This literary period refines and develops literary forms and styles from previous eras, as well as pursuing artistic experimentation, so this module explores language and form in detail in relation to key themes within their historical and cultural context.

You will look at the development of literature for children since This module will trace the origins and development of prescriptive attitudes and linguistic insecurity, and the extent to which these ideas are relevant to contemporary users of English.

In this module, you will study creative writing salford university range of literary texts and their screen counterpart s including Olive Twist, Psycho and The Great Gatsby. Creative writing salford university distinctiveness of each cultural form will be considered, as well as the comparative roles of author, screenwriter and director. There will be opportunities to explore the role of technical and digital arts such as scenography, music, and sound production.

You will enhance your skills in close analysis, studying 19th Century writing within a range of historical and theoretical contexts. You are introduced to Irish literature in English from the late 19th and early 20th centuries. You'll examine the main texts produced in this period and creative writing salford university relate them to the political, social and historical circumstances in which they were produced.

In particular, you will investigate how issues of sexuality, politics, religion, and identity are treated during this period. This module examines constructions of gender, race and empire creative writing salford university fictional and non- fictional texts from the last thirty years of the nineteenth century.

We will consider how scientific, literary, political and other texts construct and reimagine the roles of men and women, colonisers and colonised peoples, animals and the environment during this transitional period between the Victorian and the Modern. This module studies the most characteristic mode of writing in the eighteenth century: satire. It will allow you to gain an appreciation of the complexities of satire as a mode of writing: you will learn to recognise what it is, what it tries to do, and who writes satire and why.

Satire was practised in a creative writing salford university variety of genres, ranging from drama through poetry to fictional and non-fictional prose. These written forms will law and order essay ielts explored, as will visual satire and how to read it.

This module will explore a range of contemporary texts written by women and will include novels, short stories, poetry and other forms of writing including memoirs, creative non-fiction, and journalism.

You also enjoy the opportunity here of working with students on other degree programmes. This module introduces you to various forms of professional writing, and current debates in theatre and the arts industry today. You will review shows, write articles or blogs on current trends in theatre, and discuss the issues that interest you most in a series of panel discussions.

This module revisits some traditional forms. In the second part of the module you will encounter a range of innovative approaches to poetry: using sound, collage, found text and visual elements in your writing. The format will be largely workshop-based with writing exercises, sharing work with your tutor. This module will equip creative writing salford university with an overview of the state ontario public service writing a cover letter contemporary fiction.

You will write the first chapters of a novel, and learn how to pitch and present your work to will writing service wokingham literary agent. You will learn skills of analysing and writing plays for the stage. The module covers history of playwriting, an introduction to the creative writing salford university industry and the development of skills in areas such as concept, story, structure, characterisation and dialogue.

You will have the chance to work with professional playwrights in this course and write a play for your assessment. You will examine fundamental aspects of storytelling: narrative structure, character creative writing salford university, character types, relation of character to plot, the use of subplots.

You explore differing conceptual and technical approaches in scriptwriting for theatre, TV and film. This module provides the opportunity to learn or develop a thesis statement for birth order with the University-wide language programme. This is a double creative writing module that runs throughout your final year. Here you can undertake a self-directed project in the genre s of your choosing, while giving and receiving feedback in a supportive workshop environment.

By the end of the module you should have 6, words or equivalent of highly polished creative work. Scriptwriting for TV and Film. Through a professionally geared script development programme, you will create first a premise, then treatment, step outline and first draft for a complete screenplay of at least fifty minutes. In seminars you will discuss ideas for story, character and theme within the group.

Treatments, step outlines and the first draft are developed in one-to-one tutorials. Biography: Tradition and Innovation. This module puts theory into practice as we examine the literary history of biography, consider the issues and tensions raised by the post-modern context, and explore them in our own biographical writing.

Subsequent sessions will address these questions via a number of themes including the history of biography as a literary practice, historical biography, literary biography, celebrity biography through thesis writing services in canada ages, theoretical approaches to the practice of biography and innovations within the genre.

The researching and writing of your own biographical work will be a key element of the classes. Writing for Performance. The module offers you the chance to explore the theory and practice of playwriting and writing for performance, covering creative writing of a restaurant, story, structure, characterisation, dialogue, theatricality, rewriting and revising.

Visual Text. All text is visual but both readers and critics often have difficulty sustaining their awareness of its dual nature. You are encouraged throughout to think in terms of close textual analysis and the creative decisions behind a wide variety of different types of persuasive essay writer online. British Theatre Post This module contextualises post-war British theatre in terms of naturalism, the avant-garde and the epic mode.

A range of play texts will be explored in relation to form, narrative, action and character while exploring the essay writer service uk in which they engage with issues of class, sexuality, gender and national identity. A creative writing salford university to explore in detail a topic of your choice within drama or literature in an extended piece of critical writing.

This module explores the formal, conceptual and ideological complexities of the modernist period and addresses themes such as the decentred self, the city, the role of tradition, the relationship between gender and writing, the creative writing salford university of myth, and the interaction of national identity and cosmopolitanism. This module explores recent and contemporary texts in relation to critical issues such as authorship, narrative structure, linear progression, and identity.

The Language of Names. Names are all around us, and this module creative writing salford university the linguistic structure, history, development and political significance of names and naming, focusing on the UK but with reference to other countries as well.

You will have an opportunity to examine the names of people and places in real life and in literary and other creative contexts. Shakespeare and the Play of Thought. This module explores the various ways in which cultural intertextuality informs and shapes Shakespeare's approach to character and action.

To gain a broader understanding of how Shakespearean drama can be seen as 'the play of thought,' we will analyse Shakespeare's work in terms of literary theories including new historicism, cognitive linguistics, and gender studies. Alternative Ulster. It will consider poetry, prose, drama and film produced in this period, as well as other visual sources mural, video and performance art to consider a variety of ways of representing the conflict.

While creative writing salford university historical narrative will be presented in the first lectures and creative writing salford university, the focus will be on considering how form and content intersect in these fictive representations.

Rebels, Villains and Discontented Minds. In particular we will study the many ways in which authors structure specific discourses around socially marginal characters and outcasts villains, malcontents, prostitutes whose distinctive qualities can include a disruptive and sarcastic verbal idiom as key figures in the contemporary cultural and historical discourse.

This creative writing salford university will analyse a selection of African literature of the 19th, 20th and 21st centuries, exploring a range of aesthetic, theoretical and political questions relating to a variety of literary forms, including poetry, novels and graphic creative writing salford university. University Wide Language Programme. Please note that it may not be possible to deliver the full list of options every year as this will depend on creative writing salford university such as how many students choose a particular option.

Your tutor will be able to advise you as to creative writing salford university available options on or before the start of the programme. Whilst the University tries to ensure that you are able to undertake your preferred options, it cannot guarantee this. On creative writing modules, you will be assessed through portfolios and other creative assignments. For the English element, you will be assessed through a combination of exams and coursework such as essays and presentations.

Most modules incorporate some form of diagnostic assessment in order to allow you creative writing salford university identify your strengths and weaknesses creative writing salford university to undertaking your final exam or essay.

Exact proportions will vary according to your option module choices: some modules are assessed entirely by coursework, others are a combination of coursework and exam. You may also choose to do a dissertation.

Graduates from this course have progressed on to a number of career paths including banking and finance, in schools, retail and commerce, web design, community arts work, freelance writing and further qualifications. This course is designed to support your personal development and foster skills to enhance your employability. This course responds to the needs of industry in developing both creative talent and subject expertise. We have close associations with literary, academic and professional bodies such as.

This provides you with a number of benefits such as theatre visits, networking opportunities, guest speakers, master classes, workshops and work experience opportunities.



Creative writing salford university



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The module covers history of playwriting, an introduction to the playwriting industry and the development of skills in areas such as concept, story, structure, characterisation and dialogue. You will have the chance to work with professional playwrights in this course and write a play for your assessment. In particular, you will investigate how issues of sexuality, politics, religion, and identity are treated during this period.

Shakespeare In Performance. You also enjoy the opportunity here of working with students on other degree programmes. Page to Stage: Drama Texts in Translation. Theatre and Communities. The module provides students with a practical knowledge and theoretical understanding of the uses, applications and value of drama and theatre as an aspect of social engagement and personal empowerment outside of the conventional theatre environment.

The module explores the history of the 'form', and key practitioners and areas of contemporary practice. Introduction to Theatre Directing. You will also lead small group work in terms of exploring and experimenting with a range of directorial approaches to both script and to performers. The middle section of the module offers interpretation and adaptation workshops, which will provide strategies for thinking creatively about how to approach a text for performance.

Particular reference will be made to mise-en-scene and aspects of production design. University Wide Language Programme. This module provides the opportunity to learn or develop a language with the University-wide language programme. You will examine contemporary experimental performance theory and practice and have the chance to create a short original solo piece drawing on the techniques and ideas learnt in the module.

This is a double creative writing module that runs throughout your final year. Here you can undertake a self-directed project in the genre s of your choosing, while giving and receiving feedback in a supportive workshop environment.

By the end of the module you should have 6, words or equivalent of highly polished creative work. Scriptwriting for TV and Film. Through a professionally geared script development programme, you will create first a premise, then treatment, step outline and first draft for a complete screenplay of at least fifty minutes. In seminars you will discuss ideas for story, character and theme within the group. Treatments, step outlines and the first draft are developed in one-to-one tutorials.

Biography: Tradition and Innovation. This module puts theory into practice as we examine the literary history of biography, consider the issues and tensions raised by the post-modern context, and explore them in our own biographical writing. Subsequent sessions will address these questions via a number of themes including the history of biography as a literary practice, historical biography, literary biography, celebrity biography through the ages, theoretical approaches to the practice of biography and innovations within the genre.

The researching and writing of your own biographical work will be a key element of the classes. Writing for Performance.

Writing for Performance will develop your ability and voice as a writer for any area of performance. We will look at some of the most exciting new writing for television, radio and theatre and you will be encouraged to voice your critical insights.

You will be encouraged to try writing in a variety of media and to match what you have to say with the correct medium to transmit it. You will have the chance to see your work performed at the University's Create Festival and to submit it to local competitions with the support of your tutor.

Visual Text. All text is visual but both readers and critics often have difficulty sustaining their awareness of its dual nature. You are encouraged throughout to think in terms of close textual analysis and the creative decisions behind a wide variety of different types of texts.

British Theatre Post This module contextualises post-war British theatre in terms of naturalism, the avant-garde and the epic mode. A range of play texts will be explored in relation to form, narrative, action and character while exploring the ways in which they engage with issues of class, sexuality, gender and national identity.

Shakespeare and the Play of Thought. This module explores the various ways in which cultural intertextuality informs and shapes Shakespeare's approach to character and action. To gain a broader understanding of how Shakespearean drama can be seen as 'the play of thought,' we will analyse Shakespeare's work in terms of literary theories including new historicism, cognitive linguistics, and gender studies.

Drama Research Project. This is an opportunity to explore in depth an area that interests you, combining research with practice in an extended creative project. You might choose to devise a piece of performance work; to work on the staging of a short play text or scenes from a longer text ; or to create a performance installation.

The practical work will be backed up by a detailed research portfolio, charting the course of your project. Renaissance Theatre Acting. You will work with a range of texts, including Elizabethan, Jacobean, and Restoration works. In practical workshops you are encouraged to experiment with rhythm and language, and to apply characterisation and physicalisation techniques within the context of both naturalistic and non-naturalistic performance styles.

Theatre Directing. This module begins with series of classes exploring the role of the director in relation to a range of contemporary and historical scripts.

Under close tutor guidance, you will then consider and apply appropriate theatrical methodologies in order to develop your own directorial approach. All students will be given the opportunity to lead small group work in terms of exploring and experimenting with a range of directorial approaches to both script and to performers.

Please note that it may not be possible to deliver the full list of options every year as this will depend on factors such as how many students choose a particular option. Your tutor will be able to advise you as to the available options on or before the start of the programme. Whilst the University tries to ensure that you are able to undertake your preferred options, it cannot guarantee this. We place emphasis on students acquiring individual transferable skills as well as developing knowledge and skills specific to creative and reflective processes.

We employ a variety of different assessment methods depending on the modules you choose. These include:. It boasts:. After graduation, students can go into teaching, publishing, journalism, advertising, PR, or events as well as a wide range of graduate jobs.

This course would also provide an ideal platform for postgraduate study. Salford graduates have previously set up their own theatre companies or joined established ones, and have had work placements at regional theatres. Our students have also gone on to study drama or English at master's level, or to train as teachers.

This course would also provide an ideal platform to gain further qualifications for a career in youth work or drama therapy. This course is designed to support your personal development and skills to enhance your employability. Modules on the course enhance the development of subject-specific skills and knowledge, but also enhance transferable skills in research, written and verbal communication, IT skills, organisation and decision making, which open up a wide range of careers.

This course responds to the needs of industry in developing creative talent, subject expertise and transferable skills appropriate to a wide range of careers.

We have close associations with arts organisations, industry and professional bodies such as:. This provides you with a number of benefits such as theatre visits, networking opportunities, guest speakers, master classes, workshops and work experience opportunities. You are encouraged to enter competitions on a regular basis.

We are looking for creative, enthusiastic and highly motivated students who are genuinely interested in creative writing and drama. You should be comfortable working with others, have good communication skills and read widely. You do not need to be a published writer or experienced performer, but you should have some experience of theatre or drama and your interest in and passion for the written word should be evident.

International applicants will be required to show a proficiency in English. Applicants may be considered for entry into year two or three. Applicants are normally invited to bring a portfolio of work to an interview. We welcome applications from students who may not meet the stated entry criteria but who can demonstrate their ability to pursue the course successfully.

Once we have received your application we will assess it and recommend it for SAES if you are an eligible candidate. There are two different routes through the Salford Alternative Entry Scheme and applicants will be directed to the one appropriate for their course. Assessment will either be through a review of prior learning or through a formal test.

You should also consider further costs which may include books, stationery, printing, binding and general subsistence on trips and visits. For more information go to International Scholarships.

Course ID WW Institution S Interested in starting university in September ? Book your place on our next Open Day. Course Three year. Next enrolment September Introduction In a nutshell This degree will teach you how to make and perform theatre, to write stories, novels, scripts and poetry at an advanced level.

International students accepted. Study English at the University of Salford. This is for you if You are creative, enthusiastic and highly motivated. You have a real interest in creative writing and drama. You have some experience of theatre or drama and a passion for the written word. Course details All about the course This course teaches professional presentation, editing, research, genre-specific techniques and contemporary approaches to making performance. Year one. Creative Practice: Observation, Imagination and Representation.

The module explores the writing and devising of comedy for recorded media. Within this module you will learn the theory of storytelling and narrative and apply this knowledge through creative practice to a digital artifact. This process of understanding, applying and bridging traditional narrative from myth and legend, script and screen, to a contemporary immersive manifestation is designed to give you a broader understanding of narrative from a cultural perspective.

Practical techniques including voice, structure, dialogue and imagery will be taught via guided writing exercises; reading, feedback and discussion. This module will equip you with an overview of the state of contemporary fiction.

You will also receive tuition in how the publishing industry works, and the skills that a professional writer needs to acquire. This module revisits some traditional forms. In the second part of the module you will encounter a range of innovative approaches to poetry: using sound, collage, found text and visual elements in your writing. The format will be largely workshop-based with writing exercises, sharing work with your tutor.

You will scrutinise the texts from many angles and you may even produce texts for children. You will learn skills of analysing and writing plays for the stage. The module covers history of playwriting, an introduction to the playwriting industry and the development of skills in areas such as concept, story, structure, characterisation and dialogue. You will have the chance to work with professional playwrights in this course and write a play for your assessment.

In this module, you will study a range of literary texts and their screen counterpart s including Oliver Twist, Psycho and The Great Gatsby. The distinctiveness of each cultural form will be considered, as well as the comparative roles of author, screenwriter and director. There will be opportunities to explore the role of technical and digital arts such as scenography, music, and sound production.

You will examine fundamental aspects of storytelling: narrative structure, character development, character types, relation of character to plot, the use of subplots. You explore differing conceptual and technical approaches in scriptwriting for theatre, TV and film. This is a double creative writing module that runs throughout your final year. Here you can undertake a self-directed project in the genre s of your choosing, while giving and receiving feedback in a supportive workshop environment.

By the end of the module you should have 6, words or equivalent of highly polished creative work. Sequential Art Comics and Graphic Novels.

At a time of proliferating texts inspired by material introduced in comics, a section of the module will look at film and TV adaptations, evaluating the importance of comic-derived material to the modern media landscape. The unique ways in which comics can be said to create meanings will be highlighted, and you will experience designing a narrative with expert guidance. Teaching Writing. You will study how to teach Creative Writing in classroom and therapeutic contexts.

You will gain practical teaching skills, learn how to put together lesson plans and facilitate work by Creative Writing students. You will learn how to supplement your writing career with teaching opportunities. Journalism and Public Relations. This module will examine the role of the PR industry and its link to journalism and the media. Through a number of practical workshops, you will gain a strong understanding of the principles and practices behind successful PR strategies and campaigns.

British Theatre Post This module contextualises post-war British theatre in terms of naturalism, the avant-garde and the epic mode. A range of play texts will be explored in relation to form, narrative, action and character while exploring the ways in which they engage with issues of class, sexuality, gender and national identity. This module combines critical and creative study of some of the most exciting poetry written in the last fifty years. Each seminar-workshop will offer practical exercises in composition in order to aid understanding of the aesthetic and political decisions being made.

Biography: Tradition and Innovation. This module puts theory into practice as we examine the literary history of biography, consider the issues and tensions raised by the post-modern context, and explore them in our own biographical writing. Subsequent sessions will address these questions via a number of themes including the history of biography as a literary practice, historical biography, literary biography, celebrity biography through the ages, theoretical approaches to the practice of biography and innovations within the genre.

The researching and writing of your own biographical work will be a key element of the classes. Writing for Performance. The module offers you the chance to explore the theory and practice of playwriting and writing for performance, covering concept, story, structure, characterisation, dialogue, theatricality, rewriting and revising. Visual Text. All text is visual but both readers and critics often have difficulty sustaining their awareness of its dual nature.

You are encouraged throughout to think in terms of close textual analysis and the creative decisions behind a wide variety of different types of texts. Transmedia Storyworlds. The module explores the socio-cultural histories of transmedia franchises and their fictional storyworlds across TV, radio, films, comic books and videogames.

Transmedia Storyworlds equips students with an advanced understanding of how industrial forces shape productions of storyworld content across a given transmedia franchise, and explores how adaptations of fictional storyworlds exploit the narrative affordances of a range of different media. The module equips students with an advanced understanding of transnational flows whereby cultures from around the world reimagine globally famous characters and storyworlds so as to establish locally specific meanings, and critically examine the ideological positions of transmedia franchises and their storyworlds.

Stand-up Comedy. Through class interaction, individual research and tutor supervision, you are encouraged to develop your own comic voice and persona and to devise and write original ideas toward solo live performance. Scriptwriting for TV and Film.

Through a professionally geared script development programme, you will create first a premise, then treatment, step outline and first draft for a complete screenplay of at least fifty minutes. In seminars you will discuss ideas for story, character and theme within the group. Treatments, step outlines and the first draft are developed in one-to-one tutorials.

Please note that it may not be possible to deliver the full list of options every year as this will depend on factors such as how many students choose a particular option. Your tutor will be able to advise you as to the available options on or before the start of the programme. Whilst the University tries to ensure that you are able to undertake your preferred options, it cannot guarantee this. Production and Creative Writing modules are usually assessed through creative work. Some modules are assessed through essays.

In your first year, you will be required to take an exam. The production elements of this course will be enhanced by media and performance facilities. This course will equip you with the skills to pursue a career in any aspect of creative writing and production which interests you, whether for the page, stage or screen.

You will also be well placed to enter related industries such as publishing, editing or teaching. MA Literature and Culture. This course responds to the needs of industry in developing both creative talent and subject expertise. We have close associations with literary, academic and professional bodies such as.

This degree will suit students who love to read and write and want to expand their creative skills through production and advanced writing classes. The degree is designed to offer you the choice of focusing on a particular discipline in writing screenwriting, fiction, poetry, journalism , or to try out a variety of creative media.

In doing so you will be learning how to use some of the key technologies available to creatives in audio and visual digital equipment. This means that, as well as being a committed writer, you should have the confidence to undertake practical and logistical challenges.

The degree is discipline relevant to writing in film, radio, television and for printed media. It also gives students a grounding in production techniques for some of those media, a skill increasingly required of individuals in a broad range of communications and creative industries. While you are writing your masterpiece, you will have the skills to compete for creative and challenging professional work.

International applicants will be required to show a proficiency in English. General studies accepted. We welcome applications from students who may not meet the stated entry criteria but who can demonstrate their ability to pursue the course successfully. Once we have received your application we will assess it and recommend it for SAES if you are an eligible candidate.

There are two different routes through the Salford Alternative Entry Scheme and applicants will be directed to the one appropriate for their course. Assessment will either be through a review of prior learning or through a formal test. You should also consider further costs which may include books, stationery, printing, binding and general subsistence on trips and visits. Course ID Q Institution S

English and Creative Writing

 · The Envato Marketplace has a variety of badges that are used to indicate certain attributes or accomplishments of our community members. Badges can only be provisioned by staff and are not to be used in any other way (ie; as part of an avatar)helpmeessay.online About us and these terms. Hi, we’re Envato and welcome to Envato Elements, a subscription service for digital Items created by designers and creatives from around the helpmeessay.online we say ‘we’, ‘us’ or ‘Envato’ it’s because that’s who we are and we own and run the Envato Elements platform.. When you create an Envato account and accept these terms you become a member of our helpmeessay.online Creative writing at Salford is multi-discipline and contemporary. This course will help you develop your writing while learning practical production skills. You will study prose, poetry, script and screen writing in the first year, while learning basic skills in how to make film, record audio and write .


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